Shock Cinema is an essential guide for any fan of bizarre films and videos, and each issue is crammed with movie reviews, interviews and original poster art. Plus, Shock Cinema covers everything a self-respecting film-junkie could possibly desire - from Cult Movies and Arthouse Oddities, to old fashioned Drive-In Swill and Underground Obscurities. Read Shock Cinema to find out about the weirdest, wildest (and in most cases, barely released) films ever made... Blaxploitation, Sexploitation, Demented Art Films, Women In Prison, Horror, Sci-Fi, Porno Weirdness, Musical Misfires, Mondo Movies, and everything else in between. It's all here!
Interviews with actor Clint Howard, director Shinya Tsukamoto, stuntman-actor Bob Minor, director-producer Sig Shore, producer Richard Rubinstein and film composer Donald Rubinstein. Reviews include Judy Geeson and Martin Potter in Goodbye Gemini; Ida Lupino and Jessica Walter in Women in Chains; Victor Mature in Every Little Crook and Nanny; Stanley Baker in Innocent Bystanders; Jindrich Polak's sci-fi comedy Tomorrow I'll Scald Myself with Tea; Shirley Knight in House of Women; Frank Perry's nuclear warning Ladybug Ladybug; Sandra Currie and Marki Bey in Class of '74; Takashi Miike's Izo; the Vietnam-vet psychodrama Night Flowers; Vaclav Vorlicek's secret agent spoof The End of Agent W4C; Hermoine Gingold in Winter of the Witch; Mikael Hafstrom's Evil; Carol Lynley in Blue Denim; Rolv Wesenlund in The Man Who Couldn't Laugh; Larry Kent's Canadian counterculture feature High; Hideaki Anno's live-action Cutie Honey; Tomasaburo Bando in Masahiro Shindo's Demon Pond; Patrick McGoohan in All Night Long; Liz Fraser in The Painted Smile; Gareth Hunt in The Man from S.E.X.; Scooter McCrae's Sixteen Tongues; Hal Hartley's The Girl from Monday; Pete Seeger in A Song and a Stone; the fetishistic Japanese series Angel Guts; etc.
Technical Details
Size: 280mm x 215mm
Binding: Magazine
Extent: 48 pages
Publication Date: 2005
Market: Cinema
Weight: 205g
Cover Price: $5.00
